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Hans Holbein
      German 1497-1543 Hans Holbein Galleries
Hans Holbein The Ambassadors Sweden oil painting artist


Ambassadören
Hans Holbein12.jpg
Måleriet identifieringen::  2432 		  1533 Den Nationell Galleri. London

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Hans holbein the younger
      b. 1497, Augsburg, d. 1543, London
Hans holbein the younger The Ambassadors Sweden oil painting artist


Den Ambassadören
new9/Hans holbein the younger-994844.jpg
Måleriet identifieringen::  33522 		  mk86 1533 Temperamenten på trä 207x209.5cm London.National Galleri

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Hans holbein the younger
      b. 1497, Augsburg, d. 1543, London
Hans holbein the younger The Ambassadors Sweden oil painting artist


Den Ambassadören
new12/Hans holbein the younger-582748.jpg
Måleriet identifieringen::  40354 		  mk156 1533 Olja på ek 207x209.5cm

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Hans holbein the younger
      b. 1497, Augsburg, d. 1543, London
Hans holbein the younger the ambassadors Sweden oil painting artist


the ambassadors
new20/Hans holbein the younger-367588.jpg
Måleriet identifieringen::  56014 		  mk247 1533,oil on oak panel,81.5x82.5 in ,207x209.5 cm,national gallery,london,uk

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HOLBEIN, Hans the Younger
      German painter (b. 1497, Augsburg, d. 1543, London).
HOLBEIN, Hans the Younger The Ambassadors Sweden oil painting artist


The Ambassadors
new21/HOLBEIN, Hans the Younger-424346.jpg
Måleriet identifieringen::  63714 		  1533 Oil on oak National Gallery, London No preparatory drawings survive for The Ambassadors, nor is it clear how the commission for the work came about. Only the character and employment of the sitters are known. The identification of Jean de Dinteville has been aided through a portrait drawing by Jean Clouet of about the same date as the painting. Though Holbein's style changed little over the course of his career, the subtlety and opulence of the colours in this work are different from the starker tonalities he used in Basle. The green backdrop and the pink slashed shirt of the diplomat add a zest which is further enhanced by the juxtaposition of different textures of silk and woven cloth. Like Titian, Holbein was an assured painter of fur (a crucial ability for a court painter) and the contrast between the soft ermine and the glistening metal chain serves as a rich textural counterbalance. The intense realism Holbein achieved here was due to his prodigious visual memory and refusal to let either draughtsmanship or the application of paint alone dominate the execution.Artist:HOLBEIN, Hans the Younger Title: The Ambassadors (detail) Painted in 1501-1550 , German - - painting : portrait

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